Culture Vulture

I have really been enjoying myself lately, and have seen a rather wide variety of live performances (aside from the ones I’ve been playing in).  In the last few of weeks I have been to see:

• Monteverdi ‘Vespers‘ performed by the Orchestra of the Age of Enlightenment at King’s Place
• ‘The Lying Down Concert – Earthrise‘ performed by the Ex Cathedra Choir, Joanna Macgregor and Kiku Day at the Royal Opera House (In the Floating Forest erected in the Paul Hamlyn Hall)
• ‘Bedlam’ written by Nell Leyshon, directed by Jessica Swale, performed at The Globe
• Berlioz ‘Grand Messe des Morts’ – a large collaboration of performers from the UK and Poland, performed in the Mary Magdalene Church in Wroclaw, Poland

The Monteverdi Vespers concert was wonderful – I went with my mum, who had heard it performed once before in Westminster Cathedral.  I myself had never heard it performed live, and King’s Place is such a wonderful venue for a work like that because it’s so intimate.  Both the choir and the orchestra were superb. Being a trumpet player I was naturally impressed by the stunning cornet playing, but I’d never heard the OAE perform before and the sound created with the period instruments and voices in plainsong was truly divine.  The concert was recorded and I’m very much looking forward to hearing the recording when it is available.

The Lying Down Concert was an interesting concept.  It was the London Premier of Earthrise composed by Alec Roth as a commission for Ex Cathedra to celebrate their 40th year.  This coincided with the 40th anniversary of the Moon landing, and of the famous picture of the Earth rising above the surface of the Moon.  Roth writes “the music of Earthrise is a meditation on this icon and falls into three sections:
Part I – Man’s constant drive for exploration and exploitation
Part II – A contemplation of the Earth seen from space
Part III – a plea for true wisdom and understanding
The text is set in the Latin of the Vulgate, and the whole is topped and tailed by two of the Great Advent Antiphons.”
Well, I’m not too sure about the deeper meanings of some of that, but I can assure you that the concert was a unique experience for me.  Never have I been to a concert (in the Royal Opera House no less) and been invited to lie down on the floor, beneath a Floating Forest, and listen to a mixture of traditional and contemporary Japanese music (Takemitsu) alongside Messiaen, Tallis and the new Roth piece, all whilst watching the light show dance on the ‘trees’ and whilst an aerialist spins above me.  I came out of the concert feeling as though I had meditated for just over an hour – what a wonderful way to enjoy some very earthly music.

Next up was a new play, Bedlam, at The Globe.  I’d never been to The Globe before and that in itself is an experience – a rebuild of Shakespeare’s Globe which transports us back to Elizabethan London, and that includes paying extra to sit down and even more for a cushion!  But back to Bedlam, an extravaganza that is set in a fictionalised version of Bethlem Hospital, London’s infamous insane asylum, in the middle of the 18th century.  This is the first play ever written by a woman to be staged at The Globe so it was good to see history in the making, and although there were mixed reviews from the press, I thoroughly enjoyed the play and the whole Globe experience (including my friend Jim being dragged up on stage as part of the audience participation and the free bar afterwards, since we went on press night and Jessica Swale, the director, is a friend of mine).

The trip to Poland was exciting for me as I’d never visited the country before and didn’t really know what to expect.  I found out that the people are very friendly, everything is pretty cheap, and since the weather was nice I spent 4 days wandering around Wroclaw thoroughly enjoying myself.  The language is hard though – I learnt how to thank people in Polish and that was about it unfortunately, but I did see the hotel that Hitler used to stay in – pointed out to me by a taxi driver to which I replied “oh, wow, that’s…very interesting” as I wasn’t really sure how else to respond.  I was actually in Poland to tag along with my boyfriend Sam, who was performing and recording the gargantuan Berlioz work ‘Grand Messe des Morts’ in the Mary Magdalene Church in Wroclaw.  This huge piece of music required a choir of 200-odd singers, a full orchestra, with an additional 4 ‘brass bands’ and drums stationed in the corners of the stage and adjacent alcoves – 400 performers in total, including:

• Gabrieli Consort and Players
• The Chetham’s Symphonic Brass Ensemble
• Wroclaw Philharmonic Choir
• Wroclaw Philharmonic Orchestra
• Wroclaw Festival Choir
• Wroclaw Festival Orchestra

I sat in the church for some of the rehearsals and recording, but hearing the piece performed in full during the concert, with the sun setting through the huge window behind the stage, was incredible – the wall of sound that hit you when the full ensemble was performing was contrasted perfectly with the sections of quiet a cappella singing by the semi-chorus; a truly beautiful sound.  I was so pleased I was able to see this concert – I knew quite a few of the guys that had been booked in the brass section and it was great to hear such an epic piece with those big brass moments, but the rest of the orchestra and the choir were wonderful too, and this work is performed so rarely because of the sheer scale of it and the amount of personnel needed to do it justice.  I just hope I get booked to play it one day!

Tweeting is easier!

I realise I have been rather slack on the blogging front.  I have to say, Tweeting is so much easier; I think micro-blogging is much more my style!  However, I will now attempt to condense the last 6 months into a sensibly sized blog post.

So, after a quiet January, February wasn’t much of an improvement.  Aside from my regular teaching work I had two function band gigs and a handful of rehearsals for The Bombshellettes and T.Mandrake.  On a positive note, I did have a couple of lessons with an old teacher of mine, Andy Mitchell.  Andy is principal trumpet with the English National Ballet and professor at the Guildhall School of Music and Drama Junior Department (where he used to teach me).  I was put back in contact with him by one of my former RAM tutors, Mark David, who’d been working with Andy and suggested I get back in touch.  I’d not seen him in ten years, so obviously there had been quite a change in my playing since he’d last taught me!  We had a couple of lessons working on a recital programme I had coming up and it was so useful to get a new perspective from an old tutor.

Things started picking up a bit in March.  I had my recital – one of the highly coveted lunchtime concerts at Chichester Cathedral which went very well indeed.  The venue was full, there were literally hundreds of people there to see the concert, including my mother – my number one fan!  I also had a photo shoot with Cavendish Brass which was a really fun day and we got some great shots for our new website (http://www.cavendishbrass.com).  I played with Zone One Brass (ZOB) at the Regional contest and we failed to qualify for the National Finals – very disappointing indeed considering how well we felt we’d played and especially after listening to the recording of our performance.  Oh well, the politics of the brass band world are far too ridiculous to get into now.

April was a rather average month, although I did play a fun charity gig at The Parish Church of the Annunciation, Marble Arch.  The concert was a fundraiser for the church, with many actors and singers involved, and I was booked to open the show with a performance of Let The Bright Seraphim along with soprano Eli Rolfe Johnson and organist Olly Lallement. 

The month of May was ZOB madness.  The band played in two contests that were two weeks apart; the first in Blackpool and the second at the All England Masters in Kettering .  The rehearsing paid off and the band did rather well – 2^nd in Blackpool and 5^th at the Masters.

In June I launched my new Live Music Night at a bar in Soho called El Camion (formerly El Camino).  The night runs every Tuesday and I book four acts to play a 30 minute slot each.  So far it’s all been going really well, and I’m trying to build up the reputation of the venue and the night as a respectable one to play on the London circuit for those looking for an intimate performance space. 

July was a very busy month – spent a couple of days up north with Oompah Brass doing some outreach work with them which was great fun.  The Bombshellettes opened the main stage at the Lovebox festival which was a big step forwards for the band.  I then spent 3 weeks in France for the Opera de Bauge festival, which was a great experience.  3 operas in 3 weeks (Mozart – Magic Flute, Verdi – Rigoletto, Handel – Julius Caesar), I met some great people, enjoyed the operas and in general had a wonderful time. 

So, that took me into August, and then it’s been all about the function band scene since then.  I had some Bombshellettes gigs too; a wedding that was basically a 3-day festival, as you do, and a fun gig at Floridita.  I’ve been Oomping again, with Oompah Brass at Katzenjammers in London Bridge for a couple of Friday nights, which is always great fun.  I saw their new show up at the Edinburgh Fringe Festival last month – “The A-Z of Oompah” – which was excellent.  I had a fun few days at the Fringe actually, saw a few shows, played a jazz quartet gig, and it was sunny for a change!

Now it’s September, the schools are back which means I’m back to many hours of teaching and driving, but it’s good for paying the rent.  I’m off to Poland on Friday to see my boyfriend singing in a concert or two out there, and then back to London in time to run another night at El Camion.  I will, of course, attempt to blog more regularly, but life’s busy and I’m promising nothing!

New Year, New Start

Since I last wrote a blog entry I have quite literally taken my life apart and put it back together again.  Still, it’s a new year, “time for a new start” and all of those other impossibly optimistic New Year cliches.Anyway, the start of this year was not looking so good for me on the diary front.  The run up to Christmas and New Year was pretty busy, as it always is, but what with the credit crunch in full effect, this January has seen a decline in the function band work I have relied on in the past to get me through the lean months – no more corporate award ceremonies for “salesperson of the year” or Christmas parties in January (even though the venues are cheaper).

January was going to be a really tight month until I got a call offering me a gig – The Lifeline Gig – with a week’s notice.  It’s great when that happens.  One minute you’re looking at your budget for the rest of the month and wondering how you’re going to live on £1.52 for food and petrol (because it has snowed too much, so your teaching keeps getting canceled and therefore you don’t get paid), to breathing that huge sigh of relief when you get off the phone knowing that you are actually going to make it through to see February without having to beg (although I did have to buy cheap baked beans, and they were horrible).

In a way, the quieter months at the start of the year can be quite relaxing after the manic pre-Christmas workload, and it gives you time to sort out your accounts and file your tax return and generally get your life in order.  It’s also a great time to do some decent practice, rather than only having time to play during gigs.  And I’ve taken on the role of ‘Chief Ironer’ for my mum and sister as I have the time to do it and they have the cash to pay me for it.

And so tomorrow will see my playing for Guildford Philharmonic in a Magical Kingdom children’s concert.  The dress code is “smart casual and loads of bling and a mad hat if you’ve got one” but I’m not complaining, just happy to be out working!

Cancellations – A Muso’s Worst Enemy

July was a bad month for cancellations.  Between disagreements, misunderstandings, holidays and general disaster I lost out on about £400 worth of work for the month.  The missed teaching and function band dates I can live with, but there were two big disappointments for me.

The first one was a concert with a professional symphony orchestra.  I was booked through my diary service (MAS) to do a rehearsal and ‘proms-in-the-park’ style concert with Wesward Symphony Orchestra, based down in Torquay.  I was really excited about this gig, so I didn’t mind too much when I had to cut short a holiday in Corfu to get back for the rehearsal.  After a late finish at a gig the night before (squeezing in as much work as possible to make up for cutting the holiday short) I got up early on the Sunday morning to meet up with a couple of string players and share the drive down to Torquay.  The rehearsal went really well – it was fantastic to meet the brass section and make some new contacts, and since I was playing everything from 4th tumpet/2nd cornet to bumping on 1st, my playing was given good exposure and I seem to have made a good impression.

So, after a successful rehearsal (and ALOT of travelling) I was really excited about the concert the following week.  So, as you can imagine, I was so disappointed to hear only a couple of days before the concert that it had been cancelled as the promoters had not secured enough money to put on the event (Cockington Proms).  The orchestral contact who booked me through MAS has been very apologetic, saying that she’s doing her best to at least get us some of the fee due (for the rehearsal we did) and that she was highly impressed with my playing and professionalism and would definitely book me again (compliments I was very glad to receive!).  So, some good will hopefully come from the trip in terms of a part fee and maybe some work in the future, but I’ve heard anything on either front so far…

The second missed gig was a misunderstanding which resulted in me having to make a tricky decision.  I had been booked through a friend to do a rehearsal with Colombian percussionist Roberto Pla, who was doing some work in London.  I’ve never played any serious Latin-style music so the first rehearsal (and fundamentally audition) was always going to be difficult (and not helped by the fact I’d had a big T.Mandrake gig the night before and was hung over – not cool).  Despite being put well outside my comfort zone I really got into the music and Roberto is a very helpful and patient person to work with, and so we make a good enough impression to be booked for his London gig on 5^th August (‘we’ being my friends Nicki [sax], Kasha [trombone] and myself).  At the next rehearsal with Roberto, all was going really well until he mentioned the gig on 6^th August.  I nearly had a heart attack on the spot – 6^th August was my best friend’s wedding – OH NO!  What to do?  Give up the opportunity of an amazing gig or go to my friend’s wedding?  At the end of the day there really was no contest; she had been my best friend since we were 13 and there was no way I could miss her wedding (even when I heard how amazing the rest of the trumpet line-up was).  I was desperate that Roberto didn’t think I’d been unreliable and let him down but he completely understood my decision, and I’ve been in touch with him since, so I hope to get a call next time he needs an extra trumpet player in London.

My friend’s wedding was lovely – I did a reading in the ceremony and was a witness to their marriage, and I’m very happy for the new Mr & Mrs C!

I later heard from Nicki that the gig with Roberto went really well from a playing perspective, but it was an outdoors gig at the Docklands Festival and it rained (naturally) so only the hardcore fans braved the weather to hear them play.  Such is life!

Birthday Blog ~ featuring My First Twitter Gig!

Well, it’s been a while since I’ve written a blog post but today is my birthday and I’m officially taking a day off from all things work-related so I actually have time to write one!

It’s been a busy month, which is always a good sign, and a good mix of work on.  I played another Verdi Requiem with the Canterbury Choral Society – this was the gig that was tied to the one in Snape Maltings so it also meant I finally got paid for both gigs.  Then of course there’s the usual function band gigs for the summer season weddings.  I particularly enjoyed a gig I did on 18^th July with new function band RubberSoul (they’re new to me, not to each other; they’ve been playing together for about 10 years).  Not only were the guys and gal in the band really friendly and welcoming to me as a dep, they’re an excellent band (very well organised which made a nice change!) and the sets we played were full of energy.  And the best bit about all of this is that this was my first Twitter gig!  I got chatting to Tony from RubberSoul months ago on Twitter about various horn arrangements we were each doing for our function bands, and when they needed a dep he got in touch via Twitter and voila, a new working relationship was formed!  So, he took a bit of a punt in booking me without ever having met me, without hearing me play and without any recommendation, but the gig was a roaring success (despite me falling over on the steps up to the marquee for the first set!) and thus the miracle of Twitter as an effective networking tool becomes a reality.  We even managed to convince the band’s drummer of the benefits of Twitter (and iPhones) in the dressing room that night between sets, and he has recently got an iPhone and joined Twitter – so gradually the word is spreading!

And other work has been going well.  July brought with it more graduation ceremonies than you could shake a stick at (never really understood that phrase, but what the hey, let’s roll with it).  I spent a week and two days in Lancashire playing fanfares (four trumpets and organ) to open and close ceremonies at UCLAN and Edge Hill Universities and to accompany the processionals and recessionals.  We had an unfortunate incident in the first Edge Hill ceremony where one of our trumpet players collapsed and was taken to hospital; she’s ok and feeling much better now, and if you want to see her being carried out of the ceremony check out the first 5 mins of this video!  Please excuse the very unfortunate placing of a microphone directly infront of us, the sound on the video is distorted as a result.

I’m still waiting to hear about the extra teaching I’m trying to secure from September – I’ve played assemblies at two schools and have a meeting about a third, so fingers crossed for getting some more ‘bread-and-butter’ work as I like to think of it.  If I could up my teaching to one full day a week that would be enough for me.  It’s a tricky thing trying to balance the ratio of teaching to other work; teaching is great as it provides a regular income, but take on too much teaching and you have to turn down gigs.  You can see the dilemma I’m sure.

And thus far the birthday celebrations are going well – they started on Friday night with a T.Mandrake gig at The Troubadour followed by trips to Mango Lounge and Bungalow 8 (where Quentin Tarantino was partying following the London premier of his latest film Inglourious Basterds), and have continued through the weekend to tonight when I’m going to Ladies’ Night at Windsor Racecourse with some friends – lucky me (I hope!)

The Month o’ May – Part 1

May was a busy month.  I’m not complaining at all, but it was a very busy month.  It began on May 1st (the being busy part, not the month which of course started on May 1st!), with a daytime rehearsal with the Canterbury Philharmonic Orchestra in Bethnal Green for a couple of performances of Verdi’s requiem, and an evening gig with a function band down at The Grand in Brighton.

I enjoy the Canterbury Philharmonic Orchestra/Canterbury Choral Society concerts for a number of reasons.  Firstly, they are a good orchestra and a good choir. The orchestra seems to be largely sourced from the London music college graduates, so it’s always a chance to meet up with my former Royal Academy of Music (RAM) peers, some of whom I don’t get to see very often (others I see very frequently!).  Secondly, they pick good repertoire; Verdi’s Requiem is a great piece both to listen to and to perform (I’ve also performed Belioz “Damnation de Faust” with them in the past).  Thirdly, they perform in good venues.  The rehearsal on 1st May was for two performances of the Verdi; the first of which was in Snape Maltings on Sunday 3rd May and the second of which will be in Canterbury Cathedral on Saturday 20th June.  Although Snape Maltings is MILES away from Windsor (a 264-mile round trip), the concert hall there is excellent (http://www.aldeburgh.co.uk/).   And although the accoustics in Canterbury Cathedral (the location for the June concert and the previous Berlioz one) are not the best for hearing vocal performances, it is still a wonderful venue in which to play.  The problem with me taking on the gig at Snape Maltings in May was that it fell on the same date as my boyfriend’s birthday, which as you can imagine, didn’t go down particularly well as I was out all day and most of the night.  But because that gig was tied to the one in June and I couldn’t afford to say no to them both, I had to take it and sacrifice spending the day with my other half.  To be fair to him he didn’t kick up a fuss about it, although he was obviously disappointed.  But it’s one of those decisions you will face as a musician, and if I worked a normal 9-5 job he wouldn’t have expected me to take the day off if his birthday happened to fall mid-week (unlike this year’s birthday which fell on a Sunday unfortunately).  However, we did manage to celebrate his birthday that weekend – I packed alot in!  After getting home somewhere around 4am on Saturday morning after the Friday night gig in Brighton, we had a fun trip to the Zoo on Saturday and had a lovely dinner at a Thai restaurant in Windsor that evening.  After he opened presents and cards on the Sunday morning (his birthday) I faced the long drive to Snape while he had a long lunch with his parents.  The concert went really well and I eventually met up with him at a bar in South London where he was out with some friends who were also wishing farewell to a friend of ours who has gone to Ibiza to DJ for the summer season.  All in all, it was a busy weekend – thank goodness it was a bank holiday Monday!

My final thought about the Canterbury Phil/Choral Soc gig was this… There are four on-stage trumpet parts and four off-stage trumpet parts (I was onstage, playing 4th trumpet and tonking out the bottom end of the section – fab!).  All four on-stage trumpets were female, and one of the off-stage trumpets was also female.  Now, obviously it’s no shock to me to see talented women playing the trumpet, but it’s rare that in an 8-piece trumpet section the majority of those players would be female.  Very enjoyable indeed!

Canterbury Choral Society – link for the June concert:

http://www.mdesignsolutions.co.uk/cgi-bin/ccs/info_concerts.html?domain=info/concerts&name=nxtconcert